Last year when I was in Kenya I wrote a pseudo-reflective piece about ‘killer elephants’ – I guess this post is sort of an addendum to that one, written in a more abstract, existentialist fashion. Before Kenya I never cared for elephants; in the sense that I never really thought about them. They were large, overwhelming creatures that one saw infrequently at the zoo, nothing more. Never had I ever equated the elephant with the killing machine image that was frequently suggested in Kenya, nor had I associated the creature with the ‘majesty’ of royal India. I might have occasionally thought of Ganeshji, the elephant headed Hindu deity, but of course that was never translated into my real-time perception of the animal.
When I returned from Kenya I was terrified of the elephant – I still am. In India, by contrast, I feel I am expected to feel a sense of pride and joy at the sight of the animal; as though it takes me back to the time of royal courts and mighty maharajas. In Kenya, we were told to be constantly be on our guard for the wild creature. In India, the elephant is grotesquely painted and paraded down the streets of Rajasthan; taming grounds are established in the middle of cities for all to gawk at; elephant rides are prime tourist attractions. The elephant now intrigues me, mystifies me, seriously frightens me. In India, more than anything, the state of the elephant sickens me. It makes my stomach churn with fear, sadness and disgust. I can’t seem to let go of this feeling, despite how ‘irrelevant’ one might say it is to my experience here.
I call this piece ‘Taming Ganeshji’ in memory of one such elephant sightings – one that was riddled in confusing thoughts about how I should versus how I want to react to my proximity to the animal - which really got me thinking about why this creature frightens me so, and why I might care this much.
It’s hard being a tourist in India when a) your cultural upbringing resembles the suitcase that is half packed with heavy material; and b) your educational background makes you think twice about everything you see, feel and experience with regards to international development. Thus, in Jaipur, when first I saw an elephant being ‘casually’ showcased on the street in the middle of the day, and was subsequently approached by one on my way up to the glorious Amber Fort, I felt excitement and then terrible fear, after which I was overwhelmed with incredible disdain for the men riding the animals as though they claimed ownership over them – as though they had successfully subdued and subverted them, rendering them powerless. While tourists on all sides of me busily clicked pictures and glanced wide-eyed at the large painted animal, I felt conflicted: Should I smile awkwardly with the elephant and his charioteer, or should I turn my head the other way? I particularly jumped when the man on top of an elephant told me to ‘hand Ganeshji some money’ for allowing me to take a photo and seconds later the animal looked my way, elevated its trunk and waited for the wrinkled note in my hand. The driver laughed at my exasperated response, as did nearby tourists.
The elephant in Amber Fort was aging and weak; its skin was brittle and stained with paint. It made me quiver. My dad has an accurate digital play-by –play of my strange reaction towards the encounter. I realized then that my fear was/is synonymous with mesmerisation. I am scared of many unexplainable things - among them birds, butterflies, snakes, monkeys and, of course, elephants – mainly because I find them wonderfully unpredictable. It’s a beautiful sort of fear. My hesitation at touching the elephant in Jaipur, my refusal to give ‘Ganeshji’ his money, came from this notion of mine that humans are not – and cannot be - the sole arbiters of power; we cannot use our fear of the unknown to control the wild. I was made aware of this fact when my Maasai friends in Kenya relayed frightful elephant stories and I was not about to meddle with the power of nature in India.
I find it wonderful that people are afraid of elephants in Kenya; it displays a sort of intellectual superiority, in my view. The tamed elephants in India may be exotic, may romanticize a history, but they also represent the vulnerability – the inferiority - of the human race in the grand scheme of things. Thus I find the large painted tusks and obedient trunks not splendid but terrifying and unnatural. And I’m okay with that.
Certain things should be left wild, left free. My comments here are largely specific to the elephant but what I haven’t mentioned is how symbolic I find my relationship with such a creature. As I’ve stated in previous posts I’ve often felt suppressed here in India – by family and by societal norms. I’ve also, through daily experiences and through my work at Jagori Rural, observed the subversion of women and children in diverse contexts. I don’t think any person or animal should have to be ‘tamed’ by society, by religion, by culture, or by the environment. Sure, there’s a difference between cultural sensitivity and suppression (that’s a different issue altogether), but there’s also a level of individual autonomy – human and animal alike - that I believe should be respected. When I see a sad, powerless elephant at the hands of a goofy looking Rajasthani businessman I get the same feeling as when I witness a young, fragile woman in rural Himachal Pradesh who feels powerless against her violent husband; or a nine year old Punjabi boy who is desperate for an education and is subject to the authority of his alcoholic father. It’s all the same thing to me – a gross violation of independence, the manipulation of nature.
Point being, the next time I see an elephant in a zoo (or on the street for that matter – I haven’t left India yet) I might look once, but I will always keep my distance.